Thursday, 19 May 2016

OUGD505 / Evaluation

This module is a very self initiated and independent due open briefs. For studio brief 2, it allowed me to explore a wide range of in depth research surrounding my chosen topic as well as around many possible topics too, this caused a more comprehensive understanding on how to approach the brief, resulting in an appropriated outcome. 

Studio brief 1 encouraged us to look in to the future of the banknote and the actual meaning of what money is, and what it stands for today. Throughout this brief we had to bear in mind that these notes would be exhibited alongside each other in Bank House. I interpreted this brief as a way to stand out and create something different to the designs that would be surrounding my note. After deciding on focusing my research on the British banknote, I looked in to what makes us British, aiming to celebrate something light hearted. This idea of designing something which is more timeless, not celebrating the dead and instead focussing on the future and no specific person being on the notes makes them more neutral. In a way this links to the utopian ideals, however with added humour. Humour is something I definitely wanted to incorporate in to my banknote design as this is something we don’t often see in money, and with a light hearted design the serious, heavy connotations we have with money might seem to fade. The notes were screen printed which allowed them to be a lot brighter than they would have been in produced digitally which I think shaped my notes. One was embossed, however due to the bright colours the embossing wasn’t very visible, so it was’t carried out through the second note. 

If I were to extend this brief further I would screen print the £20 also, as well as creating coins in the shape of circular British biscuits; such as Jammie Dodgers, Digestives and Party Rings.

Studio brief 2 allowed for a lot of self directed freedom in terms of a creative out come and especially research. The extensive level of research undertook resulted in a well refined, appropriate resolution of issue orientated design. After exploring different areas and keeping my options open, I ended up focusing on establishing the problem of the lonely elderly, I spoke to someone who had worked with the elderly all their lives to grasp a better, more in depth understanding the issue, this allowed me to see what the underlying problem was and how they really feel. This informed my decision to make the campaign personal, which then encouraged me to gather peoples thoughts of what they relate their grandparents with. Acting on this information, a range of possible pathways were created and through developing these further and asking for feedback, the embroidery idea became strongest. This allowed me to create something physically, off the computer with my hands which I really enjoy doing. After this decision was made more research was undertook exploring different ways of embroidery / needlepoint tapestries. 

I directly wanted to talk to the general public specifically 18-26 year olds, because this is the new generation which are old enough to help, but still unaware of the loneliness in the elderly and how it affects them. What I wanted to change overall is older people being lonely, and get more people aware that it is a serious issue. The solution to this is people calling up the lonely elderly and visitors coming round. Realistically, this can be achieved by donating money to the charity Age UK so that they can fund people to work in this sector. Ultimately my aim was to spread awareness for this issue so that people act on it. This is why I created posters for Age UK, attempting to make them brighter and bolder so that younger generations would get more involved. 

As this brief was spread across a wide time schedule it was up to our selves to plan and structure our own time wisely. I feel that I was successful in this aspect as I always had this in the back of my mind while other ongoing briefs had to be completed also. The research part took up most of my time and was most varied which I think allowed me to generate a range of different ideas for outcomes which was beneficial, this is something I am going to extend in my other briefs as it resulted in a wider range of responses to the brief. 


If I were to extend this brief further I would create 2 more posters (perhaps develop the battenburg design as well as the ornament idea) and have these as a set, distributing these not only over all the platforms I have done, but on packets of things we like to buy for the elderly, such as Werthers originals etc. 

Wednesday, 18 May 2016

OUGD505 / Studio Brief 02 / Product Range Distribution / Final design & distribution

For the final designs I have included the Age UK logo, and some info to give the campaign an actual purpose and lets people get involved and address the problem. 

Standard poster:
 

Extended poster with statistic:


Banner:


Electronic poster:


Street poster:


Pin badge:


Advert displayed on website:


Instagram advert:



If I were to extend this campaign further I would like to create more posters, possibly developing the cake idea further - these adverts for Age UK could then appear on to Battenburg cake packaging or Werther’s original packets for example to help distribute the charity in a different way, as a lot of people buy these for the elderly. 




Saturday, 14 May 2016

OUGD505 / Studio Brief 02 / Product Range Distribution / Poster development

Bright colours have been mainly chosen to experiment as I want to catch the attention of the younger generations, and these kind of bright colours are rarely associated with adverts targeting the elderly which should make them stand out and be remembered. 

The dusky pink has been used as grandmas tend to have a lot of things this colour. Different fonts have been tested such as Times and a script front to try and keep in theme of the elderly, however I think that the sans serif font 'maison neue' is the most legible as well as not taking any focus away from the image. 

The yellow and black text is meant to symbolise a warning sign so that people are made to look more.






















OUGD505 / Studio Brief 02 / Product Range Distribution / Embroidery loop photographs

No extra flowers have been embodied as planned as when the type had been finished I thought it looked more stark, and I want to grab peoples attention to this campaign as a lot of design about the elderly is very subtle and muted, whereas with this piece I want to catch the attention of younger people.

After photographing, the pictures were taken in to Photoshop and adjusted. 






Friday, 13 May 2016

OUGD505 / Studio Brief 02 / Product Range Distribution / Cross stitching progress

By cross stitching the word 'home' in red capitals symbolises the sturdiness of home, this also makes us think of the popular 'home sweet home' tapestries. 'Alone' has mimicked frail hand writing to suggest that this is the elderly persons own input, the blue has connotations of sadness also.


Thursday, 12 May 2016

OUGD505 / Studio Brief 01 / Licence To Print Money / Different designs 2

To expand this concept further designs for the £20 note have been experimented with. I used the design of a party ring and live traced it, then added colour and adapted it to fit a rectangular shape for the note. However this pattern on the note looks a bit like arabic. 

Nice biscuits have been tried however these seem too plain for £20, a fairly high value in notes. The final bourbon design will be what the £20 will look like for my set, as the biscuit is recognisable and fits in nicely with the rectangular custard cream and pink wafer designs.








OUGD505 / Studio Brief 01 / Licence To Print Money / Screen printing £10

The screen printing of this note went well apart from the £10 part didn't expose properly, causing the ink to not fully go through the screen, this causes a rough effect and makes the blue not as strong as intended. If I were to do these again I would expose the screen again allowing a full transfer of the ink, I would also laser cut the '£10' so that I could emboss it like I did with the £5 pink wafer note, as although it is barley noticeable on the £5, it still creates consistency when feeling the notes.